ICONOGRAPHY OF THE BOLSHEVIKS AND THE BOURGEOIS IN CHILDREN’S DRAWINGS OF 1917–1918

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Key words
iconography, children’s drawings, revolution
Author
OLGA YU. BOITSOVA
About the Author
https://orcid.org/0000-0002-8284-8915
E-mail: boitsova@gmail.com Tel.: +7 (812) 328-08-12
3, Universitetskaya emb., St. Petersburg, 199034, Russian Federation
PhD (History), researcher, Peter the Great Museum of Anthropology and Ethnography (the Kunstkamera), Russian Academy of Sciences
Acknowledgements

This paper is financially supported by the Russian Fund for Basic Research project No. 17–83–01003 “The Civil War in Russia in the images of visual propaganda: a reference book”.

Body

The paper is based on children’s drawings of 1917–1918 collected in the State Historical Museum (Moscow). These drawings were granted to the museum in 1919 by V. Voronov, who was a drawing and calligraphy teacher in two Moscow boys’ schools until 1918. The drawings are divided by researchers into groups, one of which represents types (e. g. Bolshevik). In the paper, drawings of types are regarded with a special focus on their iconography.

Children’s drawings of revolutionary types were based not only on children’s experience but also on their visual literacy and visual stereotypes of the time describing representatives of diffe- rent groups and parties. Not surprisingly, we find both fat and thin bourgeois in children’s drawings, because in the mass culture of 1917, a big belly wasn’t a feature of a so-called “burzhuy”— exploiter yet.

Although the “Bolsheviks” in children’s drawings display a variety of visual types, some drawings contain iconographic features, which are typical for stereotypical Russian commies. Iconographic analysis helps to highlight these features.

Iconography shows that caricatures in satirical magazines influenced children’s views of the Bolsheviks. Children acquired messages “the Bolsheviks are highwaymen”, “the Bolsheviks are people of low culture”, without reading texts only by viewing pictures. Some cases of borrowing iconographic features from satirical magazines are registered in the paper together with a case of accurately copying a caricature from Strekoza (namely Dragonfly) magazine. 

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